![]() ![]() Loss making companies can act like a sponge for capital - so investors should be cautious that they're not throwing good money after bad.ĭespite being in the age of tech-stock blue-sky investing, many investors still adopt a more traditional strategy buying shares in profitable companies like O'Reilly Automotive ( NASDAQ:ORLY). ![]() Sometimes these stories can cloud the minds of investors, leading them to invest with their emotions rather than on the merit of good company fundamentals. He continued to work independently, contributing art direction in two films directed by Jonathan Parker Bartleby and Untitled as well as on three Sega video games Iron Man, Iron Man 2 and Golden Axe: Beast Rider.The excitement of investing in a company that can reverse its fortunes is a big draw for some speculators, so even companies that have no revenue, no profit, and a record of falling short, can manage to find investors. In 2003 Hoytyboy Pictures (then Complete Pandemonium) hired him, to provide concept art for the Walt Disney 3D computer-animated comedy film The Wild. In 1999 he joined Industrial Light & Magic contributing visual concepts and art direction, again for features and commercials during three years continuing independently art directing for companies such as Electronic Arts, Rhythm & Hues, Tippett Studio, Carl's Fine Films. Some of the games he was responsible for contributing art direction are ToeJam & Earl in Panic on Funkotron, Gex and Orly's Draw-A-Story, developed by ToeJam & Earl Productions Inc and published by Broderbund in 1999 for MS-DOS and Windows. Īfter that, he joined Lucasfilm Ltd, as production designer for The All New Ewoks animated tv series and in 1987 he founded Kirksworks Studios as an independent art director. There he joined Colossal Pictures art directing a variety of projects including MTV station I.D.s (Station Identification), commercials and animated short films like Cat and Mouse for the feature film Flicks. In 1980 he began to art direct, moving for the Bay Area after four years in Los Angeles creating art for companies such Chuck Jones Productions, Universal Pictures and Lisberger Studios. He studied fine arts at Diablo Valley college, in Pleasent Hill, California (1970) and film at San Francisco State University (1972) and in 1977 he started to work on the animation business as an artist on the animation sequence of The Grateful Dead Movie. ![]() He is known for creating art, animation, and to provide art direction for ToeJam & Earl in Panic on Funkotron. Kirk Henderson is an Artist who works primarily as an art director and conceptual designer, on motion pictures, games and commercials in many capacities. Education: Diablo Valley College (CA), San Francisco State University ![]()
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